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When Mohamed tells Mariatu that “some fancy lady wants to see you” (122), her first thought is that it is another of his jokes. This time, however, it turns out to be true, and Mariatu meets Comfort, a social worker who tells Mariatu that a man named Bill from Canada has read a newspaper article about her and wants to help her. When Mariatu asks, Comfort gets out an atlas and shows her where Canada is, explaining that “it’s a rich country” (126), and that it is cold and snowy there. She tells Mariatu that snow is “like white salt that falls from the sky when it is very chilly” (126), an image that captures Mariatu’s imagination. Mariatu asks if Bill is “taking me to Canada” (126) and Comfort says he is not but wants to send clothes and money.
Soon, it is time for the stadium performance and Mariatu is so nervous that she asks Victor to leave without her. Victor tells her that “we can’t go on unless you are with us. We are group, a family, and we won’t be separated because you’re nervous” (130). Mariatu does perform that night and is surprised that she quickly forgot that she was “up in front of all those strangers” (131). Afterwards, her uncle Sulaiman says, “I’m going to miss you when you move to this place called Canada!” (131). Mariatu says that she is not going anywhere, before observing retrospectively “[h]ow wrong [she] was” (131).
Two years after moving to the camp and four months after first hearing from Bill, another social worker, Yabom, offers Mariatu an opportunity to fly to England to have prosthetic hands fitted, courtesy of a benefactor named David. Mariatu is not enthusiastic, having already become attached to the idea of moving to Canada. However, she knows that “moving away would be the best thing for me and for the family financially” (132), so she fakes excitement and agrees.
Mariatu does not have a passport or birth certificate so Yabom takes her to apply for them. At a government office, she gives Mariatu a lesson in the history of her country, explaining Sierra Leone’s colonial past, and the corruption of its politicians once it became independent in the 1960s.
Yabom also explains how Foday Sankoh started the Revolutionary United Front to challenge this corruption but turned out to be “worse than any of the politicians he accused of thievery” (137), preying on poor boys with “broken spirits” (137) and turning them into child soldiers.
When Mariatu and Yabom fill in her application forms, Mariatu also has to sign them with a toe print, which an official explains is common practice “[s]ince so many people have lost their hands in the war” (139).
As Mariatu says goodbye to her family, Marie tells her that she is the family’s “hope for the future” and tells her, “Don’t look back […] Always look forward” (141).
Mariatu and Yabom are staying in a flat in London, along with the owner, a Sierra Leonean woman named Mariama. Mariatu does not enjoy London, disliking the endless rain and the lack of vibrant colors, complaining that “[g]ray is hard to appreciate” (144).
Mariatu has her own bedroom in the flat, a new experience that she finds unsettling because she is “used to sleeping with someone on both sides of me” and feeling “safe listening to their breathing” (145). She starts to have nightmares about the rebels chasing her. When Yabom comes to comfort her one night, they end up talking through until morning with Yabom listening “as few people have ever listened to [her] before” (146-147).
Mariatu finds the prosthetic hands difficult and demeaning, noting that “[t]his wasn’t how I wanted to feed myself. In fact, I had become quite proficient without the device […] I didn’t need those fake fingers” (149).
One day, Yabom and Mariama ask her who Bill is. Mariatu feels uncomfortable but dismisses their concern by saying, “it’s not like he wants me to move to Canada” (153). However, they reveal that he actually does. Mariatu is excited because, although “all [she] knew about the strange place called Canada was that salt fell from the sky,” she also “knew somehow that Canada was where [she] belonged” (153).
The adults say that she cannot leave England because her new hands are not yet ready and there is a risk that she will get stuck in Sierra Leone and never leave again. However, Mariatu admits that she does not need the hands and knows that she should be Canada. She tells Yabom, that “I tried to speak up in the past, but I always gave in to what older people wanted. This time, I want you to trust me” (156). For the first time, an adult accepts this and Yabom says “I will trust you. After all, this is your life” (156).
This stage of Mariatu’s journey contains considerable tension around her sense of belonging. Her involvement in the theater troupe offers her an attachment to Sierra Leone, providing, as Victor observes, another surrogate “family” (130) and allowing her to reconnect with carefree Sierra Leonean pastimes of singing and dancing that she remembers from her youth. Similarly, Comfort’s lesson in Sierra Leone’s history gives Mariatu an added awareness of her country, its past, and its struggles, as well as providing insight into how its people have been manipulated into becoming fractured into warring factions.
However, the seeds of change are sewn when Mariatu learns about Canada for the first time. Although she had not previously heard of the country, it will become increasingly significant to her sense of belonging as the book continues. This first becomes apparent when Mariatu is offered the opportunity to travel to England. Despite being another rich country where she can experience safety and comfort, Mariatu is disappointed because she actually wishes to travel to Canada, a wish which highlights her rapidly-developing affinity for the country.
Mariatu accepts the offer to travel to England because it will provide an opportunity for her to support her family. This, too, represents a shift in her sense of belonging. In an extension of the responsibility placed on her to serve as a breadwinner through begging, when she is offered a chance to go to England, Mariatu becomes increasingly responsible for providing for the adults in her family.
Importantly, the move to England reaffirms the importance of family and Sierra Leonean practices in Mariatu’s sense of belonging. Used to the common practice of sleeping communally with family members, Mariatu misses the sense of connection and safety when she gets a room to herself in London. The significance of this family connection is further reinforced by the importance she places on support from Yabom, who becomes one of a series of maternal, familial figures in her life.
However, it is also in England that another large shift occurs in Mariatu’s sense of belonging: an invitation to move to Canada. In her excitement on hearing the news, Mariatu makes explicit her attachment to the country, revealing that, although she cannot explain why, she knows that it is the place where she belongs.
This shift coincides with two other large changes. Firstly, Mariatu’s rejection of England is also a rejection of the prosthetic hands that are being made there and, as such, is a further reassertion of her refusal to allow her disability to make her dependent on anyone or anything.
Moreover, in order to reject both England and the prosthetics, it is necessary for Mariatu to embrace the positive aspects of the loss of childhood innocence for the first time. While she has previously always given in “to what older people wanted” (156), now she embraces an adult role, asserting her autonomy and her right to govern her own life. Just as significantly, in Yabom, Mariatu finds the first adult who actually trusts her to make these choices.
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